ocean vuong night sky with exit wounds analysis
And this trauma runs deep: despite being able to recognize this ironic parental trauma as a kind of "joke," the speaker still recognizes that it has the force of a "bomb saying here is your father." Copyright © 1999 - 2020 GradeSaver LLC. At the poem's end, the speaker reflects that he will wear his father's face for the rest of his life and "begin / the faithful work of drowning." A Review of Ocean Vuong's Night Sky with Exit Wounds by Miguel Soto Ocean Vuong’s collection of poems Night Sky with Exit Wounds is a creative self-exploration, weaving and questioning binaries, and traveling the spectrum of moral ambiguity.In Vuong’s “Telemachus,” the allusion to Homer’s Odyssey is made to illustrate Telemachus’ reaction to his father, Odysseus, arriving at the shore. I t is tempting to read Ocean Vuong’s poetry with his life story in mind. After publication, the collection received much critical acclaim and in 2017, the book won the prestigious T.S. Christopher R. Vaughan. In living with Ocean Vuong’s book over the last week or two I have on occasions mistaken its title for Night Sky with Exile Wounds. Next, we are told that "There was always the shotgun above the fireplace." This is commensurate with the understanding of Ocean Vuong's father developed in the collection's other poems of the father as both immigrant and absent. The speaker hopes to be able to eliminate the pain associated with his father through writing ("To even write father / is to carve a … The horror the speaker feels at writing such words is evocative of the process of writing as tackled in the later poem "Logophobia." This not only gives the reader the impression of the trauma or negativity associated with this particular love affair, but also cues them from the very start to the idea that will later be expressed explicitly—that is, that the speaker constantly revisits this experience through memory as the years go on: "Because the year is a distance / we've traveled in circles." The erasure of "nation" in the title—coupled with the speaker's father living in the distance of night—would seem to suggest that the father is representative of both a faded memory and a literal distant place. GradeSaver "Night Sky with Exit Wounds “Homewrecker” Summary and Analysis". Night Sky with Exit Wounds study guide contains a biography of Ocean Vuong, literature essays, quiz questions, major themes, characters, and a full summary and analysis. In it, Ocean Vuong as the speaker addresses himself, consoling himself over his own isolation, sadness, and past misfortune. / Yes, you have a country. This Study Guide consists of approximately 44 pages of chapter summaries, quotes, character analysis, themes, and more - everything you need to sharpen your knowledge of Night Sky With Exit Wounds. Similar revision and revisitation occurs in the "If not" constructions towards the poem's end and the "Which is to say" constructions even further down the page. Just after the stunning image of "the day clos[ing] / into a coffin" when the lovers' lips meet, we are told that "in the museum of the heart / there are two headless people building a burning house." In any case, the poem itself does not resolve these tensions but rather revels in them: it is both houses being wrecked, and both implications of the shotgun are accepted. The poem "Telemachus" is the second poem in Ocean Vuong 's Night Sky with Exit Wounds, and it is the first poem in the first section proper. To order a copy for £8.50, go to bookshop.theguardian.com or call 0330 333 6846. In this thesis, I choose to read the mythologies created in Ocean Vuong’s 2016 collection . At the poem's end, the speaker figuratively runs from all the "light" that confronting the memory of his father brings (evocative of a light which reveals the true misdeeds and trauma perpetrated by the father in the past) into the "night," where a clouded memory of the father resides. The poem "Deto (nation)" is the twenty-seventh poem in Ocean Vuong 's Night Sky with Exit Wounds, and it is the fourth poem of the book's third section. The poem "Deto(nation)" is the twenty-seventh poem in Ocean Vuong's Night Sky with Exit Wounds, and it is the fourth poem of the book's third section. Night Sky With Exit Wounds is terrifying, heartbreaking, surreal, and lyrical–I’m not quite sure how a poet can fit so much humanity into so few words. As we have already seen, this house is symbolic of the futile hope for stability and domestic bliss possessed by the speaker and his lover. It will become obvious why. resource to ask questions, find answers, and discuss the novel. Print Word PDF. Summary. In the speaker's recollections of their moments with their lover, they know better than to think of the tongue as just a tongue. The poem "Aubade with Burning City" is the fourth poem in Ocean Vuong 's Night Sky with Exit Wounds, located in the first section, and it is one of the most well-known poems from the collection. The duality of lightness is then introduced into the poem, with one valence referring to a lack of weight and the other referring to brightness. Copyright © 1999 - 2020 GradeSaver LLC. Unlike "Thanksgiving 2006," however, "Homewrecker" is written in couplets rather than singleton lines, suggesting a sort of mutual entanglement or implication in the events that result from the speaker's love affair. resource to ask questions, find answers, and discuss the novel. It is, after all, an ampersand which begins the poem and first recounts how the speaker and his lover "danced" and "loved." The poem "Homewrecker" is the fourteenth poem in Ocean Vuong 's Night Sky with Exit Wounds, and it is the second poem of the book's second section. Not affiliated with Harvard College. The poem's concern with fatherhood, as well as the concern with nationhood as highlighted by the title's parenthesis, has appeared in many other poems in the collection—for example, "To My Father / To My Future Son" ("You move through me like rain / heard / from another country. The poem details the speaker's struggle to reconcile his memories of his father with the pain associated with such memories. I proceed through this analysis by first providing a history of the Vietnam War and subsequent critiques of how the … But it has also been hard to ‘see’ this collection because of the accumulated material – interviews, awards, perhaps hype – that already surrounds it in a way that affects none of the other Forward First Collections this year. Moreover, the trauma left by the father penetrates to the speaker's insides, even the parts that are keeping him alive: "here is your father inside / your lungs." GradeSaver, "Untitled (Blue, Green, and Brown): oil on canvas: Mark Rothko: 1952", Ocean Vuong and the Influence of Religion, Read the Study Guide for Night Sky with Exit Wounds…, Introduction to Night Sky with Exit Wounds, View the lesson plan for Night Sky with Exit Wounds…. It recounts the speaker's experiences with a lover and posits the idea that their love was forbidden and had to necessarily result in death and destruction. Moreover, the seemingly negative reaction that the lover's family has to the love affair represents another kind of homewrecking at work, fueled by the actions of both the speaker and his lover. The body is not just an instrument of pleasure, but also a weapon like a knife. "Self-Portrait as Exit Wounds" Summary and Analysis. The forces that have been pulling at the speaker the entire poem have been emphasized by the dual nature of the poem's couplets, but in the decisive action to run toward the father, the poetic form breaks, and a definite action has been taken by the final singleton line. At the poem's conclusion, the speaker continues to reflect on the muddled pains and pleasures of their forbidden love with the subject, saying that they loved each other like "a knife on the tongue turning / into a tongue.". Ocean Vuong poured it all into Night Sky With Exit Wounds, winning him a Forward prize – and comparisons with Emily Dickinson @ carmitstead Tue 3 Oct 2017 13.29 EDT Here, it is unclear whether the speaker is figuratively referring to the burning house—in which case, they are talking figuratively about the precariousness of their situation with their lover—or if they are literally referring to the house in which they meet up to kiss. ")—but is here reiterated and refined. The poem, despite being short, is highly crafted and technical, even in its title. The Question and Answer section for Night Sky with Exit Wounds is a great Eliot Prize. It recounts the speaker's experiences with a lover and posits the idea that their love was forbidden and had to necessarily result in death and destruction. The speaker hopes to be able to eliminate the pain associated with his father through writing ("To even write father / is to carve a portion of the day out of a bomb-bright page"), but ultimately is unable to do so entirely.
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